Fascinating Effect

If you're looking for a bowl of bead soup click here.

Things have been a bit chaotic here the past week, with a surprise visit from my daughter and some of life's challenges, but I did manage to get a bit of time at the torch.  I had intended to make more Halloween beads with orange and purple and am still looking for the perfect purple.  EDP devitrifies too much to use and reacts with orange as well.  Evil Queen reduces to a bit of a metallic sheen and devitrifies a bit.  Ditto light silver plum (no surprise there) and Plum is too light and translucent and Mulberry is too dark.  I didn't even try Poi because I think it would grey out but I might as well.  You never know until you try.

 I did get a totally awesome effect with the EDP, though.  I think the 5-pointed star or flower effect is so cool and I love the way the orange faded.  The dark circle from the reaction makes this bead even cooler.  I wish the EDP hadn't devitrified so much.  It even made the black next to it bubble.

 Here's another view of the end.  I think this is so totally cool.  I wish I could figure out a way to use this bead so the end is out, since, sadly, the bead doesn't look like much from the side, where it would be seen with ordinary stringing.  Any ideas?

Beads on the Table

If you're hungry for some bead soup, here's the link for the necklace I made with Hilary Frye's beads.  http://fire-in-ice.blogspot.com/2011/09/soups-on.html  To see the full list of participants, here's the complete list. 

I've been on an evil eye kick and this focal is one of the  beads I made in this style.

 The core is CiM Tuxedo, which is my official go-to black.  It's very black, doesn't pit or boil or go metallic or do anything else ugly.  And the price is about the same as the Italian blacks which do all of the above.  The white is Effetre because it really is a bit denser than the others and over black I really didn't want any translucency.  The aqua is CiM Pulsar just because I like it.

 Spacers, lots of spacers.  Oh, and another set of eyes.  Trying to get the small ones the same size gave me fits.  To make eye beads, I make a core of black and add large dots of white, melt it in, then add medium dots of blue and melt and small dots of more black and melt again, all the while trying to keep it round.  I finally discovered that if I flatten the bead slightly before adding the first layer of white it's easier to round out in the end.  I only wish I figured this out when I started.

 Halloween is around the corneer and I wanted to do a set in Victorian mourning colors because to me, they are so classic.  Who knew Effetre light grey separates on top of tux?  I used Vetrofond pearl grey for the large beads because that was what I had and was pleased with the match, but under black it goes a bit blue.  It does something weird with CiM Evil Queen, too.  Still, I think these are nice and Halloween-ey.

 And now for something completely different.  We've had nothing but clouds and rain for so long I'm seriously running out of patience.  These were, sadly, taken with artificial light because the watery light we've been having isn't cutting it.  The lime green is CiM Ephalba, the turquoise is CiM Smurfy (never do I buy Effetre turquoise again), the orange is Effetre light pumpkin and the purple is EDP.  It was a lucky break that the darker orange beads came out even but the "striking" of this color is impossible to predict.  I like the Effetre, I really do.  It's a nice orange when it doesn't go brown.  BTW, I tried EDP and pumpkin.  I got fantastic color out of the EDP without any devitrification at all, but the reaction with the orange is horrible.  Don't melt it in.  Trust me on this.

Bus Trip

 On this one, the bead turned out exactly as it should have, if not how I imagined it.  I wrapped a core of Effetre light pumpkin with copper leaf, added a few odd twisties that I had lying around the workbench, probably involving silver glass, swirled them up, encased the whole thing in clear and swirled that, then melted and reshaped the whole thing.  It would have looked cooler if the texture I started out with had been preserved, but I seem incapable of heating just one spot without blowing the shape of the whole bead.

What I really like is the way the silver glass fumed into the clear.  That I wasn't expecting.  I should have remembered how much lighter the corals get under encasement, but oh well, the pumpkin is doing what it should do and I don't mind the school bus yellow.  Kinda cheerful.

As far as the personal stuff that's been keeping me up at night, I'm feeling a bit better and will continue to pick a household chore at random to ignore.

Off Mandrel Pendant

 Sometimes you get eggs, sometimes you get nothing but a bunch of shells and a mess.  The leaf bead I posted last is no more.  I had it strung on some wire for a pendant and dropped it.  The leaf stayed intact but the loop broke off.  Nuts.  I made another one and strung it with the Effetre light pumpkin one and one I made with opal yellow, and have a nice pendant I am slowly turning into a necklace.

Opal yellow is a tricky color to work with for an off mandrel leaf.  It is very soft and wants to flop around all over the place.  I committed the extra sin of wanting a notched, oak leaf appearance and chopping at it with my glass shears.  This was done with the glass very nearly cool, then I reheated the piece to fire polish it.  The resulting leaf was a bit strangely shaped, but, hey, it looks like a leaf.  The spots are Terra2, which apparently likes to reduce as well.  I didn't mean to, but it isn't ugly so I'll take it.  I also got some reducing frit in with the bordello, as evident on the orange leaf. 

The way I'm making the leaves is to make a gather on the end of the rod, rolling it in frit or decorating it with stringer,  pressing it in the leaf masher, heating the end and attaching an only slightly heated steel chopstick and cutting off the rod and forming the loop.  Then I hold the loop in a pair of pliers while I remove the punty and polish the end.  I'm sure infinite shapes are possible this way, but right now I'm stuck on leaves.  If anyone knows a better way please let me know. 

As far as my color diet, I'm retiring olive for the time being.  It is a great shade of green and truly appropriate for fall but I'm playing with apple blush until I can figure out how to get a predictable orange blush or get sick of it and give up.  I am also going to play with some CiM pheonix shortly, probably in place of the Effetre light pumpkin.

Fall (color) Diet Pictures

 I haven't posted many pictures since the weekend, but I have been working.  I really like the way the glass is acting on the new diet.  I confess to a certain amount of premeditation with the way these turned out in that I knew that many of the colors I picked were going to do neat things when I combined them with metals and silver glass. 

The bead on the left is made on CiM lapis with a twistie of copper green, CiM bordello, DH Aurae, and DH terra2, with some silvered ivory thrown in for good measure.  Believe it or not, the weird greenish stripe bordered with black is the bordello.  This, I was not expecting.  I can only speculate that the greenish color is it reacting to the silver glasses next to it and the black stripes are it reacting to the copper green with the silvered glasses.  If anyone else has any suggestions of what it could be, please leave a comment because I like it but I'm stumped.

 The long bead on the right is a base of Effetre dark red special, 1/2 rolled in silver foil and melted, rolled in a DH reducing frit blend on the other half, wrapped with the same twistie as above and silvered ivory stringer, and swirled in a couple places.

 This is where the battery on my camera died, so I had to settle for a group picture of the remaining beads.  You'll see more of the copper green stringer, plus one made with just DH terra2 and aurae, and another made with EFF dark red, light pumpkin and trans topaz on a base of clear.  I used silver foil, DH reducing frit, and silvered ivory stringer pretty liberally on all of these.  The only one that has anything different is the center bicone, which has another stringer made with a very tight twistie of CiM adamantium and silvered ivory.

I hope you've enjoyed this sneak preview into the beads I will be listing over the next week or two.

I'm going back to work tomorrow so I don't know when I'll be torching next, but when I have new beads I will post them.

First Beads for Fall

 I made these Saturday, before I officially decided to change my color diet. In fact, these beads helped me to see that it really was time for a change.  Apparently, I'm not the only one because 3 of the 4 sets I made up are on their way to their new homes.

Of the batch, the beads on the left are my favorites.  They were made with CiM lapis with psyche and sis.  I love the way the ivory fades into the lapis.  I don't think I noticed this in my initial testing, but for this set it really works.  Besides, the blue violet is such a lovely color.

 On the right is a set made the same way with CiM olive.  This one reminded me of an aerial view of grass-covered sand and streams.  These are the most fall-like colors so far, but green is a lucky color that works in any season.

I called this set water flowers because of the colors and patterning, primarily.  The lentil is copper green with sis like the spacers, but I added a blend of 456 rubino oro and CiM cranberry pink dark frit.  I love the way the pink frit reacts with the copper green, separating it into a halo and an area that looks almost like it was thinly encased in aqua transparent.  I was also surprised to see that the pink picked up some of the silver from the stringer it contacted and moved it to its far edge.  I don't know who could have predicted that.

I'm not an orange person.  I tend toward cooler colors and shy away from ones that make a bold impression like these beads do.  I have to say I like this one.  I like the way the streaks of blue, purple, yellow and pink show up against the plain coral.  The glass I used is Vetrofond petrified wood and it's not on the diet, but that is primarily because the glass is so pretty on its own that I can't see adding anything else to it.

Naturally, the beads I made yesterday were useless.  I did make one that looks good, and another that was probably the prettiest bead I've ever made.  The good looking one is a base of light pumpkin with silver foil, sis, and psyche, decorated with bordello bumps.  I'm going to play with that combination more.  The really pretty one was too pretty.  I wrapped a core of lapis with trails of psyche and bordello, rolled it in silver foil, melted it in and reduced it, encased it in clear and decorated it with half a triton swirl flower.  Unfortunately it looked so good after I reduced the triton that I didn't want to mess up the reduction by heating it too much and it cracked from thermal shock.  The two halves are still together and it looks like the crack only goes partly through the encasement layer, but I can't use it.  I hope to come up with a solution to this problem.

Effetre light pumpkin

I had to be very careful with labeling these, since I received a large number of oranges all at once and they all look nearly identical in rod form. This is one of the new colors from Effetre, light pumpkin, originally zucca chiaro. It strikes from yellowish to orange tan.

I didn't get much out of adding metal to these beads, either silver foil or copper leaf. I'm not sure how many orange and brown textural beads I'm going to be making.

Double Helix glasses look neat on this color, with a surprisingly dark aurae on the left, then triton, encased psyche looking the best I've achieved yet, and finally psyche on its own.

The EDP does react a bit with the pumpkin but I can live with this. The combination is appealing in a strange way. Intense black stays nice and crisp but there is some separation of the top dots of orange. The grey line forms on the copper green. Sis just plain bleeds all over. Plum silver seems to prevent color development in this just like it did with the red roof tile.

This is a nice, bright, happy pumpkin orange that will come in handy around Haloween.