Wednesday, April 21, 2010

CiM Gelly's sty

Another CiM color that almost slipped by me. They have so many, I'd go broke trying to own them all, but I'd love to try. This one is really a unique shade of pink. It is slightly translucent, but this is part of its charm. Effetre rose opalino is similar, but it is a pain to work with and Gelly's sty doesn't need to be struck. I think the best thing about it is that it plays so well with other colors. The material from Creation is Messy says that it goes light under encasement and likes to be worked hot. There are reports that it can be shocky (oh, no) and devitrifies. I was forewarned on the shockiness and as far as the devitrification goes, I'll just have to see.



Plain reveals a pretty, rose petal shade of pink. Encased, it looks pretty much the same to me. Perhaps a tiny bit more translucent. Maybe a good thing. If I want an ethereal pink, this is the color for me.


I didn't even bother testing this one with silver or copper, since I knew it would go all yellow with silver and I have yellow opalino and CiM ghee for that. With copper I just wasn't interested. I suspect the shockiness advised against comes after cooling without kilning so we'll just see how the plain encased bead does before I add copper to the mix. With DH aurae, pictured here, it goes golden and highlights the gold dots of the aurae. Nice. I love what it did under encasement. I only wish my clear didn't scum up.




The translucent quality of Gelly's sty is really highlighted by its use with CiM tuxedo. The tux seems to be slightly absorbed by the pink, but that is light transmission, because the edges of the black on pink are nice and crisp. The pink on black looks slightly lavender. I have to try encasing a tux bead with Gelly's sty now. EDP bled a little but works well on this pink. No burning! I really like that there is no reaction with ivory. I was sure there would be. The dots of pink on top disappear on both the ivory and the white next to it. Gelly's sty is fairly stiff for an opaque, so that explains the ivory and white bleeding.




Yellow seems to bleed a little but there is no ugly reaction. Strangely, copper green appears bleached out. there is nothing ugly happening here and I would feel confident using the 2 together, but I would wish for more contrast. The intense black stays crisp and the Gelly's sty separates into that neat mouth thing, but it is almost invisible due to its lack of saturation. Trying to get plum silver to go metallic without devitrifying was a task beyond me, but there is a hint of a shimmer, trust me.

I will definitely be buying more of this color. It is a pleasure to work with and an unique addition to my palette.



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